TRAIN-WRECKED TUESDAY SALE
ALL TRAIN-WRECKED PRODUCTS ARE PRICED THE SAME AS THEIR CLASSIC COUNTERPARTS
'TRAIN-WRECKED' ASA-6A TUBE VARI-MU COMPRESSOR
Renowned for its super-thick and weighty tone, nine total tubes, super-beefy Hammond transformers throughout and a superb box tone.
Vintage tube compression doesn't get any better than the ASA-6A.
'TRAIN-WRECKED' 76A LIMITING AMPLIFIER
A bold new take on some classic AudioScape offerings, the train-wrecked series with Lawrence Trainor, offers truly unique front panel aging and vintage patina, each front panel is a work of art.
FAST and Furious; served with a side of Sensational Saturation…
'TRAIN-WRECKED' AS78 DUAL-PEAK LIMITER
The two-headed beast, a mythical legend - ‘The’ Dual peak limiter for the age - REBORN!
'TRAIN-WRECKED' BUSS COMPRESSOR
A bold new take on some classic AudioScape offerings, the train-wrecked series with Lawrence Trainor, offers truly unique front panel aging and vintage patina, each front panel is a work of art.
Hello MIX; Meet GLUE!
'TRAIN-WRECKED' EQP-A TUBE EQUALIZER
A bold new take on some classic AudioScape offerings, the train-wrecked series with Lawrence Trainor, offers truly unique front panel aging and vintage patina, each front panel is a work of art.
…with an elegant but HUGE tube sound, your sources will simply sound BETTER by running them through this legendary passive EQ & tube line amplifier circuitry.
'TRAIN-WRECKED' MIDRANGE EQ
Big and Bold yet Smooth as Silk...
'TRAIN-WRECKED' OPTO COMPRESSOR
A bold new take on some classic AudioScape offerings, the train-wrecked series with Lawrence Trainor, offers truly unique front panel aging and vintage patina, each front panel is a work of art.
Decadent & Elegant - this is as good as it gets. You can do DIFFERENT, but you can’t do BETTER.
V-COMP+ "DELUXE 6386 EDITION" MU COMPRESSOR 'Train-wrecked Series'
A bold new take on some classic AudioScape offerings, the train-wrecked series with Lawrence Trainor, offers truly unique front panel aging and vintage patina, each front panel is a work of art.
Expanded options, same great tone and topology!

Handcrafted in Small Batches / Made in the USA
Recreating the Euphonic Sonics of a Bygone Era
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UPDATED: 07/25/2025
As many of you have heard by now, we are looking at an across-the-board price increase for our products. Over the years, we have truly tried to keep our prices as low as humanly possible, even as costs have steadily increased. (A lot of our products are still at 2016-2019 pricing, if not lower in some cases.) In today’s climate, with just about everything under the sun increasing in cost, it simply isn’t sustainable (or responsible) to keep them at the same pricing. These increases will take effect August 1st.
This week, we honor the beginnings of the great Westinghouse Electric and Manufacturing Company, which officially took its name on June 13, 1886. Founded nearly one hundred and forty years ago, it’s considered - along with General Electric and RCA - to be one of the most significant US electric technology firms ever established. The distinctive Westinghouse “W” logo finds its way into many of our units to this day, as it one of the most reliable brands for high quality NOS tubes!
The LA-2A was built on the bones of an earlier design utilizing a unique optical attenuator created by Jim Lawrence, founder of the Teletronix Engineering Company. In the late 1950’s Lawrence wanted to build an audio “leveler” that would ride the gain automatically during radio broadcasts.
This week, we want to celebrate General Electric’s 133rd birthday and pay tribute to a true giant in the world of electronics.
Technology and music have always followed along with each another, with each inspiring the other to push beyond the boundaries. But despite that, the classics still remain for a reason, and the 1176 style compressor is one of them.
When it comes to achieving that thick, warm bass sound in music production, few tools are as indispensable as a well-designed optical compressor. Among the modern standouts, the Audioscape Opto Compressor earns its reputation not only for sonic quality but also for its faithful homage to one of the most iconic designs in recording history. In this post, we’re diving deep into the world of opto compression, with a focus on how to use the Audioscape Opto to shape, control, and elevate your bass tracks.
With the V1290 making it back to the site earlier this week, we wanted to share a little bit of the history behind our particular build of this class-A preamp.
No question, there are many options out there for “73” style preamp recreations. But when we decided we’d build one back at the beginning of this decade, we wanted to really do it right!
It’s been a crazy month, and we’ve received a lot of emails from folks asking for a little more time as paychecks and income from sessions come in. (We’ve been inundated- if you haven’t been replied to yet, please know you will be!)
In the meantime, we’ve found a temporary solution we hope will work for everybody. Our projected price increases, as stated in our last newsletter, will be cut in half for the month of August. Come September, we’ll raise them to the full amount in our projected price list. We’re hoping this gives a little extra time to everyone who needs it. We truly are trying our best to meet all of you where we can, and keep bringing you kickass gear.
As a reminder: we now have small shipping costs added for our US customers starting this month. They range from $7.50 to $25 based on product size and weight. Those may eventually have to go up as well, but we are starting as small as we can.
Below is the updated base pricing for August only…